1/11/2024 0 Comments Corrigan jasper jonesJelk did this by making the set an embankment with a eucalyptus, and when it becomes Jasper’s space there will be wattle present, but when it’s Corrigan there will only be fragments of door, a bit of a sleepout or something that’s wheeled or flown in. “I felt like that line, where Jasper says, ‘this is my space’… and it felt really important to honour that and that the stage was his space as well.” “It felt like Jasper’s place is the most important space in the book and in the play,” she says. “We took a few baby steps along the way, but we’ve got a lot of work to go.”įor her interpretation of Mulvany’s work, Jelk says she heightened certain elements, like the set, to highlight how Australians and Aboriginals have juxtaposing views of what the landscape means to them and how that is perpetuated in literature. “The 1960s was a time where we thought we as a nation were growing up – that we were going through some civil rights movements and things like that – but we didn’t,” she says. Jelk says the 1960s was a charged moment in Australian history, and examining it on stage gives us insight into where we are now. “Understanding the reality of how horrific that stuff is, but it’s also honouring the joy in the work as well – the joy, the friendships, the joy of having some kind of sense of hope through the work as well – is what makes it meaningful.” “It’s been an interesting balance to strike but a really fun one as well,” says Jelk. Jelk says the play’s ability to monochromatically explore the tragedy of discrimination, violence and suicide in Australia while highlighting the comedy of friendship that can accompany the fight, is what makes the play special. “Something about seeing Charlie Bucktin wrestle with issues, like violence and racism, gives us permission as an audience to wrestle with them as well.” “Taking on this work is a privilege and is very daunting,” says Jelk, who has previously overseen works like Othello and Terrestrial.īut I think I love this play because it really challenges me and makes me think about the world differently. Now, coinciding with the 10-year anniversary of the book’s release, Nescha Jelk will direct State Theatre Company’s production of Jasper Jones from August 16 to September 7 at the Dunstan Playhouse. The novel was adapted into film by director Rachel Perkins in 2017 and to the stage by celebrated playwright Kate Mulvany. The whodunit mystery, set in 1965 rural Western Australia, follows the bookish 13-year-old Charlie Bucktin as he tries to uncover who framed 16-year-old half-Aboriginal outcast Jasper Jones for the murder of young, white Laura Wishart. The book’s aptitude to sit close to Australians like a friend, while psychologically examining their prejudices, has earned it a reputation as a gripping and seminal national text.
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